Drawing in the dark.

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We still do not have power. This is the fourth evening.  I was hoping to be able to sketch and then watercolor sketch a series of photos I chose for this month
I may have to rethink this, but I am giving it a shot.

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Taming the Teacup

Originally published http://www.rennatatropeano.com/growingunique/?p=147

The hardest part about learning to draw is learning to see.   Even though I used the lines of the towel to help me,  My own learned perceptions still came into play. I drew the plate bigger and rounder than it is.

Layers of teacups

On the other hand, I drew the open part of the cup as much more of an ellipse.

In this image I have used a graphics program to layer the two images together. I find that this can be helpful in helping me “see” what is off.

This comparison also shows the difference in color. Yes, I am drawing a white teacup, but only a few highlight spots are actually white.

Most of the photograph is in the mid tones, neither dark nor light. What I have drawing is mostly darks and highlights.

Usually when I point things like this out, the first words I hear are “Don’t be so critical, your art work looks great.”

Being critical is how we learn.  The important thing to avoid is being a critic of my own work.  Each thing I said about has an easy and specific fix.

It is all too easy to look at problems with our own art work and become a critic.  “I suck at drawing. I can’t draw teacups.”  Those are the thoughts to avoid, as there is not a specifc fix for either.

They are just negative and completely without merit.  By focusing on what you can do to improve, it allows you to see what needs fixing and usually how to fix it.

There is not a quick and easy answer, the only way to improve the way we see things and get them down on paper is practice. Different Instructors will suggest different ways, but there is not a right way and a wrong way. It is a matter of what works for you.

 

 

 

Sketch, study or masterpiece?

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Why do I leave the rings of the sketchbook in the image, wouldn’t it look better without them?

I leave the rings because it is a sketchbook image.  There is an important difference between work done in a sketchbook as a learning exercise and work that is meant to be finished drawing from the start.

There is also a point where you have to decide if you are going to keep working on it until is  is a finished drawing, or take what you have learned from it and move on.

This sketch has some flaws that it would be more productive to start over rather than fix.

The hats for one.  I also do not like that the back figure is so muted and in the shadow, She is that way in the original image, but this is art. I can move her and make her more prominent.

And speaking of shadows. Yes, the shadows do appear to be going in two different directions,  One is a reflection, and one a shadow, yet they both look like shadows in the drawing.  That was the point at which I decided to put it aside and think about how to address that issue.  I am fairly certain that I want to make this into a painting, but  before I jump into the painting I need to do some more studies.

This image, “Introduction” is part of a series of sketches and drawings that are part of a 100 theme challenge on DeviantART.

As I am the little girl in the foreground of the original image, I am not sure who took the photo. It was most likely my Dad or Grandfather.

Rennata Monnie Gretta in ocean

The Hearts have it.

Two new small works. Ink and watercolor. Both of them are the Artist Trading card size of 2.5 inches by 3.5 inches. ATC024 ATC025 

These two were part of a theme exercise on ATCs for All as part of the Zentangle with a Twist Group. They have ended up as part of a small art show

“Passions” at Creative Corner’s Art Gallery, Gallery 24

Hands on Drawing!

Last night we painted and drew the new year in, It was so much fun.

My daughter was struggling with drawing hands. She asked how do I learn to draw hands.

I knew the answer of practice was not going to go over well,  so I broke it down a bit more into how to practice drawing hands.

I took a series of photos of the girls hands.

DSC01650 hands1

The particular one that she wanted to use I also used a graphics program to break it down into 7 different colors so that you can easily see where the highlights and shadows are.

I have shown them how to use a clear triangle from a math set to see the angles.

I have highlighted some of the ones that I find are key to getting the hand to look like a hand.

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Notice that although the hand is wrapped around the handle of the spoon, the line of the knuckles is slightly different due to the varying lengths of the bones in the hand.  When I am sketching hands as part of a figure, I will look to when there is a bent angle on the hand. In this case the red line along the top on the hand is the one I would focus on, as it tells the most about the position of the hand.  I see a lot of drawing books that spend a great deal of  time on getting the angles of the center line of the arm correct, leave the hands as a circle or oval that magically gets filled in with the instructions of  something like draw in the details of the hands.   I look for where the highlights and shadows are first, because they help me get a feel for the hand as a three dimensional object with areas of highlights, mid tones and shadows, and then at the angles of the lines that the outside edges form.

Some pictures for practice of drawing hands.

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Drawing and Critique

Darlene Duncan made a comment on my blog yesterday that I loved.

“A comment without explanation does not help towards understanding or improvement.”

The goal of a critique should be to move towards improvement through understanding, that is what makes it different from a criticism.

I tell people all the time that there is not a wrong way to create, you should just start and do it.  It occurred to me that this comment might seem in direct conflict with the idea of critique, and might be in need of further explanation.

Improvement is a subjective standard.  When critiquing your artwork, it is important to understand the goal or ideal that you have in mind.  Do you want to be the next Rembrandt or the next Picasso, or maybe the next Arina Tanemura.  How you would improve when working towards those goals is vastly different. When I say that there is not a wrong way to create, what I mean is that all styles are valid.

So if I want to improve my drawing, How do I go about doing that?

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Both of these eyes were drawn from the same source.

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Each of us translated the same image into what was important to us. Yet on each of them there is something that differs from the original.  I learned that Anime eyes are often open edged,  that the pupils are even larger than I thought and high lights do have a hard edge.

I have spent years working on making highlights without hard edges, so  I did not notice that it has one, and I can say that I would choose to put one.

So if what I mean by improving is to make the eye more in an anime style, the biggest changes I would make would be in the overall shape of the eye.

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What I had sketched in as the whole eyeball is close to the size of the pupil, but taller and narrower, while the eyelid slants down more.  By taking the time to look at what I had drawn in comparison to what I was working from, I gained an understanding of  how and why mine differed from the original.  Once I have that understanding, I can choose to either make mine more like the original or just draw eyes in my own way.

None of this changes the fact that I was happy with my original eye, and the fact that my eye was different from the one I was working from does not mean my eye was wrong.

I still maintain that the best way to learn to draw is by picking up something that makes marks, and using it to make marks. and enjoy the process because it is not a matter or right and wrong, it is a matter of learning and understanding. The learning and understanding will lead to improvement.

The Eyes Have it.

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Sometimes I am reminded why I have a studio, and what I loved about working at home.

More later… Which means I ran out of time this morning, so I am posting quickly so I can write more on it later while on the road.

It is later now.  My daughters asked me how you get eyes to match, They were less excited to hear the answer of practice. Somehow that always seem like an unfun sounding answer. 

  I started to sketch eyes from a magazine. Starting at the first person and then going to the next. 

They were quick to show me the anime type eyes they were trying to draw.  Anime is a type of Japanese cartooning.  The same theory still applies,    take a book of Anime and draw the eyes, practicing untill you are happy with the result.  Do not struggle over one, but do it quickly, look at it . Then make any quick corrections and go on to the next. 

It quickly turned into a shared effort, I would draw one, they would draw one and so on. The hand in the picture is my daughters. Even our cat wanted to join in on the fun on the page. It make what could have been a fairly boring exercise a lot of fun.   Today I will go back and see how many of the eyes I can match to the pictures from which I drew them.

Zen Tangle and Another Fractal

Rennata M. Tropeano, Zen Tangle, ink on paper, 8x8 inches ©2009 Rennata M. Tropeano, Purple and Sage Promanade, digital image ©2009

Having seen the Zentangles on an number of sites, I had to try one myself.  I also played some more with the fractal filter.  Both images appeal to me in that they have a strong sense of rhythm.

Todd Henry in his podcast and website Accidental Creative talks a lot about rhythm, and it has made me  more aware of it.  If you have not hear of this podcast or blog, please go check him out.   Rhythm is one of those things that is often lost in our modern society.  We have become obsessed with Now! and New and Improved.   I always want my art to be constantly improving and getting better.  When I hit an ebb part of the tide, I think of it as bad. The creativity is going away, what I am doing is not working.  What I made is trash. 

These negative thoughts are destructive and wrong.  Like the tide, creativity has a rhythm, it cycles through low and high periods.  These periods of low creativity are the times for processing  and for refilling your personal well.  I also like to think of them as times for sand castle building.  Sand Castles are a great low tide activity,  all that bare sand, a blank canvas, but a low pressure blank canvas as you know the tide is going to return.  Sand Castles can be works of art, but they are a joy to create, simple to make. It is the process that is fun.

I found this Zentangle to be an excellent sand castle type activity.  It was fun, it simple to make, but can become complex.   Like many before me,  I found it to have a meditative quality to it.  I found myself thinking of  the things I am Thankful for, A very seasonal thing, and  I found some answers to some artist problems.   I had been working on a series of tiles, I had decided to make some seasonal tiles.  Flowers for spring and summer.  Leaves for fall, but when it came to the winter tiles, my Christmas tiles fell very flat, too found at Walmart and kitschy.  It was the same for snowflakes, the more religious tiles and the others.  They lacked rhythm.  The flowers and leaves worked because they had rhythm.   I feel like the tide is coming back in on my tile creativity. 

Ceramic Tile

Ceramic Tile Almost halfway through the month, I am full of new projects to try. This is my first attempt at making a coast from a ceramic tile.  I saw some at a arts fair recently, but they were a bit out of my price range. The Artist said that she used paint pens to create the images, but clearly a different type paint pen than I use.

The great thing about work on these. I can make a bunch trying to get the effect I want, and they do not cost much at all, so I feel free to try and if I do not like it, well  it is not a big deal.  Off to take my husband for a birthday dinner.